From the Heart: Huge Success!

Following Heartland Men’s Chorus’ debut concert, November 10, 2017, at The United Methodist Church of the Resurrection in Leawood, Rick Fisher, Executive Director of Heartland Men’s Chorus (HMC), confirmed that it was one of the largest audiences the chorus has ever enjoyed. “Taking that kind of momentum into the regular season is exhilarating and helps to confirm for staff and chorus member alike that our mission and message is resounding throughout Kansas City. We are especially thrilled to have attracted such a large crowd in a new area of the community and right before we open our regular season,” said Fisher.

The magnificent new sanctuary at The Church of the Resurrection with The Resurrection Window (that stretches nearly 100 feet across and three stories high) served as a beautiful backdrop to the 90-minute concert. The concert featured a veritable “greatest hits” of the Chorus, including favorite “Like Dust I Rise.” Based upon four Maya Angelou poems (“On the Pulse of Morning,” “ aged Bird,” “Equality,” “Still I Rise”) the work was composed by internationally renowned composer and resident Kansas Citian, Mark Hayes, who was on hand to perform with the Chorus as well as several of his own pieces from his recent album. The Angelou poem, “Still I Rise,” was “spoken” by Angelou herself to excerpts of her writings flashings across the 100-foot screen.

According to Mike Alley of KCMetropolis, “There were several times I was brought to tears as the evening progressed. In those moments, sometimes it was the beauty of the melodies, and sometimes it was the sentiment in the lyrics, introductions, or spoken-word narratives. At other times, it was probably due to hearing such music within the vibrant sanctuary, with its amazing one-hundred-foot stained glass sculpture above the choir loft; or the projections of colorful sunsets, volcanoes, ocean waves, and excerpts from Maya Angelou’s inspiring poems flashed at exactly the right time during a song. But in the end, it is the seamless merge of the tenor, baritone, and bass parts, and the clarity of the phrasing and enunciation by the Chorus’ 80 voices under Cates’s baton that made the 14 songs and medleys performed work. Trust me, folks: hearing this level of proficiency, hearing the harmonies, dynamics, and crisp lyrics all working together this well in live performance by 80 voices is something very, very special.”

To view photos of the concert, click here to link to Photographer Susan McSpadden’s photo gallery.